9-11-99 |
He really knows how to put on a show and gets the crowd going. In fact my daughter has gone to his concerts and agrees with me. Neil will be coming to Chicago Dec. 14, 1999 and I want to make sure I'm in the audience. I have been to many other concerts and Neil's are the BEST. Kathy 9-10-99 |
From Diamond Fan 1 in South Jersey 9-6-99 |
Rich 9-6-99 |
Love you forever (in blue jeans!) Sharon Kerkman 9-6-99 |
Thank you Neil. Debbie Wilson 8-25-99 |
From Pat in Portland 8-25-99 |
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FOND Memories A fan's very personal glimpse on the early 70s
Maybe Neil would put it the following way: For lovers it was their very first kiss, for bikers it's their very first Harley Davidson motorcycle, for songwriters it's their very first hit record ... for a Neil Diamond fan it's his or her very first Neil Diamond song. In my case it happened in the summer of 1971 when I heard the complicated but wonderful lyrics of "I am ... I said" the first time on the radio. I was struck as having been hit by lightning. Never have I heard something like this before in my young life, having been just 13 years of age back then. That summer in 1971 "I am ... I said" was making its way to number one on the German single charts, competing for weeks with Lynn Anderson's country hit "Rose Garden". It was the high time of productivity of the quartett Diamond, Catalano, Holdridge and Steiner. Although "I am ... I said" was the only song that Lee Holdridge did not arrange on the "Stones" album, Marty Paich and Larry Mohuberac, with the help of Tom Catalano, had put the wonderful horn arrangement in the frog-king verse: an arrangement that Neil is reported had not liked at all when he first heard it on the playback. Thank God he changed his mind about it.
Then in June of 1972, Neil's album "Moods" was very present having been released in the spring of the same year, and "Song Sung
Blue" was making its way straight to number one on the Billboard charts and around the world. "Moods" was another biggy the
mentioned famous quartett had put together with all the songs written by Neil himself. It was also the time when Neil started playing a
new guitar that revolutionized the music world: the Ovation with its base made of a special kind of fibre invented for the airplane
industry. As far as I know Neil was one of the very first music artists who played this new instrument with its sharp and clear sound
that is so familiar to us from the rhythm intro of "Cherry, Cherry" on "Hot August Night" or the first chords of "Lonely Looking Sky".
The Ovation's sound was much different from the sound of other famed guitars like Gibson or Fender; it was so much different like
"I am ... I said" was different from the rest of the chart songs at that time. "I am ... I said" until today is the hymn of my life, closely
followed by my all time secret favorite "Yes, I will".
"... bathed in blue reflection, there he stood and made his song. Closed his eyes to feel the thunder, the echo like a wave around him, love was in this strange house, and he knew he did belong, yes, he did belong ...": these wonderful lyrics of "Yes, I will" exactly reflect the experiences of my first Neil Diamond concert, although those lyrics had not even been written back then. Being an unexperienced teenager in 1971, I didn't even had the idea to see Neil performing live during his very first German tour that year. So I had to wait another year until the 10th of June in 1972 when Neil did a concert in Munich's Circus Krone: "a hall built for elephants and not for singers" as he had put in his own words complaining about the acoustics during the concert, although Stan Miller did the best possible job on them.
I remember Neil standing there on the dark-backgrounded stage, playing his Ovation guitar with so much passion, his long dark hair
flowing down to his slender shoulders, his eyes often closed to feel the thunder, his soft warm voice intoning "Play Me" ... when finally
a string broke and he displayed the shy boy from Brooklyn in his very own manner. Neil didn't move at all, except his left foot that he
tipped over from time to time on its outer left side so it almost looked like a broken ankle. There he stood, bathed in blue reflection,
the "lean, sensual performer", as Michael Carmack had described Neil in his "Hot August Night" review for the Los Angeles Harald
Examiner in 1972. Well, the Munich concert took place just about 10 weeks before this historical recording was done at the Greek.
Maybe the only big difference to the Greek Theatre performances was Neil's outfit. Back then in Munich, he had worn a red velvet,
balloon sleeve shirt and tight, slightly bell-bottomed black pants, he had a black belt around his slender hips (it was very fashionable
to wear the belt on your hips instead the waist), and he was wearing black boots on his feet. Neil looked like a prince from a fairy tale,
charming his splendid charisma throughout the concert, although the image of the renaissance prince was finally established only a few
weeks later with the help of Bill Whitten's newly designed stage cloths for the Greek Theatre and the Wintergarden performances in
August and October of 1972.
During "my first" concert, Neil played all those biggies from the early years. Don't ask me for a song list as I really can't remember it. But I clearly remember him singing his then new songs from the "Moods" album, plus parts of the "African Trilogy" headed by "Soolaimon", "Holly Holy" and, of course, "I am ... I said", to name but a few. Yes, I guess he really was bathed in blue lighting during "Song Sung Blue". Even back then, his performance lasted almost two hours. But as each one of his concerts, it could have lasted as long as the universe is old... Over the years between 1972 to 1999, I had the chance to see Neil performing for several times. He always delivered great shows until this day. Also having had the privilege to meet him personally for three times in my life until now - the first time during his "Serenade" promotion tour in Germany in December of 1974 -, I still treasure my first concert in a very special way. Maybe the first one is always very special for each Diamondhead. NEILOVE to everyone who took the time to read that and who knows what I mean, Karin 8-25-99 |
Thanks Neil. Maryann 8-15-99 |
God bless him, I hope that he's with us for a long time to come and then some. He is truly blesssd to have given all his fans the pleasure of hearing and feeling the music in their lives. I feel that even if he wasn't to perform the music live for the fans on tour, he could appear and do nothing and still pack the house and feel the love for him. Thank you Neil, God bless you Phoenix Web 8-8-99 |
Thank you, Laura Fetzner 8-1-99 |
Sincerely, Beverly S. Nichols 7-31-99 |
Mary A. Sands 7-31-99 |
D. Albrecht dalbrecht@home.com 7-28-99 |
Mr.Diamond, I really enjoy your music!! I hope you will continue to write your own music. My favorite is "Love on the Rocks." I hope someday to stand in the same room and shake your hand and thank you for all the wonderful music you have written. Cory 7-25-99 |